Gaguin, Robert

Galen
Galeren
Galyene
Game at Chesse
Ganazath, John of
Gaunt
Gauchay, H
Gaguin, Robert
Galen
Galeren
Galyene
Game at Chesse
Ganazath, John of
Gaunt
Gauchay, H. de
Gauchy, H. de
Gazee, Angelin
Genoa
Geometry
Gereon, St.
Gesta Romanorum
Ghent, White-friars
Gibbet
Gifts
Gildo
Gilles de Rome. See Colonna.
Gluttony
Godaches
Godebert
Golden Legend
Goldsmiths
Good old times
Goribert
Goribald
Government of wise men
Graesse, J.G.T.
Grammarians
Gregory Nazianzen
Grenville Library
Grymald
Guards of cities
Guests and hosts
Guido
Guilt not to be punished in wrath
Guye
Gyles of Regement of Prynces
Gyges

"Mr

"Mr. Watson," he resumed, "has asked what we have done with America"s
soul. That is a telling phrase, and I should like to meet it with an
equally telling one; but this is not a matter of phraseology, but of the
deepest thought. Gentlemen, if you will, look back with me over the
brief history of this Republic. There are great truths hidden in the
Past.

_[He laughs behind his hand

_[He laughs behind his hand. Then his laugh bursts through his
fingers, so to speak, grows in intensity, becomes irresistible, and
passes into a whine. The crowd begins to fill the stage, concealing
the body, Speransky, and Tony. The bells are rung in the monastery as
at Easter, and at the same time the singing of thousands of voices is
heard._

--They don"t own any clothes at all except what they have on

--They don"t own any clothes at all except what they have on. She
always goes about in her rosy dress with her neck bare, which makes
her look like a young girl.

The Chicago team of 1896 was a somewhat mixed affair, change following

change in rapid succession
The Chicago team of 1896 was a somewhat mixed affair, change following
change in rapid succession. Hutchinson had retired from the game and the
pitchers, seven in number, were, Griffith, Thornton, Briggs, Friend,
Terry, Parker and McFarland; Kittridge and Donohue as catchers, myself
and Decker alternating at first base, Pfeffer and Truby doing the same
thing at second, and Everett and McCormick at third. Dahlen played
shortstop, and Lange, Everett, Ryan, Decker and Flynn took care of the
outfield.

"Elise!" He sat bolt-upright

"Elise!" He sat bolt-upright. "By gad! I never knew it until this
minute. _You_ are the woman I ought to marry. You are far too good and
clever and all that; but, by Jove! I could do something in the world if I
had you to work for. Don"t stop me, Elise. I am serious. I should have
known all along"----

Beneath a near-by tree he saw a woman in white, and the figure of a man

pleading for something
Beneath a near-by tree he saw a woman in white, and the figure of a man
pleading for something. Suddenly Selwyn saw the woman take some
article from around her neck and hand it to the man. The fellow took
it, and seemed to be turning away, when, with a suppressed sob, she
caught him in her arms, murmuring incoherent endearments through her
tears.

So the children ran back to the entry, and sat down to their story,

taking pains to read carefully, as if their object was to learn to read;
and though they did not expect it, they did, in fact, have a very
pleasant time
So the children ran back to the entry, and sat down to their story,
taking pains to read carefully, as if their object was to learn to read;
and though they did not expect it, they did, in fact, have a very
pleasant time.

Have we not here, then, the distinction between character-drawing and

psychology? Character-drawing is the presentment of human nature in its
commonly-recognized, understood, and accepted aspects; psychology is, as
it were, the exploration of character, the bringing of hitherto
unsurveyed tracts within the circle of our knowledge and comprehension
Have we not here, then, the distinction between character-drawing and
psychology? Character-drawing is the presentment of human nature in its
commonly-recognized, understood, and accepted aspects; psychology is, as
it were, the exploration of character, the bringing of hitherto
unsurveyed tracts within the circle of our knowledge and comprehension.
In other words, character-drawing is synthetic, psychology analytic.
This does not mean that the one is necessarily inferior to the other.
Some of the greatest masterpieces of creative art have been achieved by
the synthesis of known elements. Falstaff, for example--there is no more
brilliant or more living character in all fiction; yet it is impossible
to say that Shakespeare has here taken us into previously unplumbed
depths of human nature, as he has in Hamlet, or in Lear. No doubt it is
often very hard to decide whether a given personage is a mere projection
of the known or a divination of the unknown. What are we to say, for
example, of Cleopatra, or of Shylock, or of Macbeth? Richard II, on the
other hand, is as clearly a piece of psychology as the Nurse in _Romeo
and Juliet_ is a piece of character-drawing. The comedy of types
necessarily tends to keep within the limits of the known, and
Moliere--in spite of Alceste and Don Juan--is characteristically a
character-drawer, as Racine is characteristically a psychologist. Ibsen
is a psychologist or he is nothing. Earl Skule and Bishop Nicholas,
Hedda Gabler and John Gabriel Borkman are daring explorations of
hitherto uncharted regions of the human soul. But Ibsen, too, was a
character-drawer when it suited him. One is tempted to say that there is
no psychology in Brand--he is a mere incarnation of intransigent
idealism--while Peer Gynt is as brilliant a psychological inspiration as
Don Quixote. Dr. Stockmann is a vigorously-projected character, Hialmar
Ekdal a piece of searching psychology. Finally, my point could scarcely
be better illustrated than by a comparison--cruel but instructive
--between Rebecca in _Rosmersholm_ and the heroine in _Bella
Donna_. Each is, in effect, a murderess, though it was a moral, not a
mineral, poison that Rebecca employed. But while we know nothing
whatever of Mrs. Armine"s mental processes, Rebecca"s temptations,
struggles, sophistries, hesitations, resolves, and revulsions of feeling
are all laid bare to us, so that we feel her to be no monster, but a
living woman, comprehensible to our intelligence, and, however
blameworthy, not wholly beyond the range of our sympathies. There are
few greater achievements of psychology.

Let us turn now to a more memorable piece of work; that interesting play

of Sir Arthur Pinero"s transition period, _The Profligate_
Let us turn now to a more memorable piece of work; that interesting play
of Sir Arthur Pinero"s transition period, _The Profligate_. Here the
great situation of the third act is brought about by a chain of
coincidences which would be utterly unthinkable in the author"s maturer
work. Leslie Brudenell, the heroine, is the ward of Mr. Cheal, a
solicitor. She is to be married to Dunstan Renshaw; and, as she has no
home, the bridal party meets at Mr. Cheal"s office before proceeding to
the registrar"s. No sooner have they departed than Janet Preece, who has
been betrayed and deserted by Dunstan Renshaw (under an assumed name)
comes to the office to state her piteous case. This is not in itself a
pure coincidence; for Janet happened to come to London in the same train
with Leslie Brudenell and her brother Wilfrid; and Wilfrid, seeing in
her a damsel in distress, recommended her to lay her troubles before a
respectable solicitor, giving her Mr. Cheal"s address. So far, then, the
coincidence is not startling. It is natural enough that Renshaw"s
mistress and his betrothed should live in the same country town; and it
is not improbable that they should come to London by the same train, and
that Wilfrid Brudenell should give the bewildered and weeping young
woman a commonplace piece of advice. The concatenation of circumstances
is remarkable rather than improbable. But when, in the next act, not a
month later, Janet Preece, by pure chance, drops in at the Florentine
villa where Renshaw and Leslie are spending their honeymoon, we feel
that the long arm of coincidence is stretched to its uttermost, and that
even the thrilling situation which follows is very dearly bought. It
would not have been difficult to attenuate the coincidence. What has
actually happened is this: Janet has (we know not how) become a sort of
maid-companion to a Mrs. Stonehay, whose daughter was a school-friend of
Leslie"s; the Stonehays have come to Florence, knowing nothing of
Leslie"s presence there; and they happen to visit the villa in order to
see a fresco which it contains. If, now, we had been told that Janet"s
engagement by the Stonehays had resulted from her visit to Mr. Cheal,
and that the Stonehays had come to Florence knowing Leslie to be there,
and eager to find her, several links would have been struck off the
chain of coincidence; or, to put it more exactly, a fairly coherent
sequence of events would have been substituted for a series of
incoherent chances. The same result might no doubt have been achieved in
many other and neater ways. I merely indicate, by way of illustration, a
quite obvious method of reducing the element of coincidence in the case.

If you deal with Napoleon, for instance, it is perfectly clear that he

must dominate the stage
If you deal with Napoleon, for instance, it is perfectly clear that he
must dominate the stage. As soon as you bring in the name, the idea, of
Napoleon Bonaparte, men have eyes and ears for nothing else; and they
demand to see him, in a general way, acting up to their general
conception of him. That was what Messrs. Lloyd Osbourne and Austin
Strong forgot in their otherwise clever play, _The Exile_. It is useless
to prove, historically, that at a given moment he was passive, supine,
unconscious, while people around him were eagerly plotting his escape
and restoration. That may have been so; but it is not what an audience
wants to see. It wants to see Napoleon Napoleonizing. For anomalies and
uncharacteristic episodes in Napoleon"s career we must go to books; the
playhouse is not the place for them. It is true that a dramatist like
Mr. Bernard Shaw may, at his own risk and peril, set forth to give us a
new reading of Caesar or of Napoleon, which may or may not be
dramatically acceptable.[5] But this is not what Messrs. Osbourne and
Strong tried to do. Their Napoleon was the Napoleon of tradition--only
he failed to act 'in a concatenation according.'

--Dogs hate the poor

--Dogs hate the poor. I saw three dogs attack him yesterday. He
beat them off with a stick and shouted: 'Don"t you dare to touch my
trousers; they"re my last pair!' And he laughed, and the dogs flung
themselves at him and showed their teeth and barked viciously.

"I will not weary you, gentlemen, with further extracts, but I ask you to

note--_and this is something which many of our public men have forgotten
to-day_--that at the very commencement of our career we were inextricably
involved with European affairs
"I will not weary you, gentlemen, with further extracts, but I ask you to
note--_and this is something which many of our public men have forgotten
to-day_--that at the very commencement of our career we were inextricably
involved with European affairs. Entangling alliances--no! But
segregation--impossible!"


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A game of 'rounders' between a team from the Rounders" Association of

Liverpool and an American eleven with Baldwin and Earl as the battery,
and with Tener, Wood, Fogarty, Brown, Hanlon, Pfeffer, Manning, Sullivan
and myself in the field was played
A game of 'rounders' between a team from the Rounders" Association of
Liverpool and an American eleven with Baldwin and Earl as the battery,
and with Tener, Wood, Fogarty, Brown, Hanlon, Pfeffer, Manning, Sullivan
and myself in the field was played. The bases in this game instead of
being bags are iron stakes about three feet high, the ball the size of a
tennis ball, and the batting is done with one hand and with a bat that
resembles a butter-paddle in shape and size. A base-runner has to be
retired by being struck with the ball, and not touched with it, and the
batter must run the first time he strikes at the ball, whether he hits
it or not. Of course the Rounders" Association team beat us, the score
being 16 to 14, but when they came to play us two innings at our game
afterwards the score stood at 18 to o in our favor, the crowd standing
in a drenching rain to witness the fun.


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The ball is in full swing

The ball is in full swing. The music is furnished by an orchestra
of three pieces. The musicians resemble closely their respective
instruments; the violinist, a violin--lean neck, small head, a shock
of hair brushed to one side, back somewhat bent, a handkerchief
correctly adjusted on his shoulder under the violin; the flute-player,
a flute--very, tall, with a thin, elongated face, and stiff, thin
legs, the bass-violinist, a double-bass--stumpy, round-shouldered,
lower part of his body very stout, wide trousers. The uncommon effort
with which the musicians play is painfully evident. They beat time,
swing their heads, and shake their bodies. The tune is the same
throughout the ball, a short polka in two musical phrases, producing a
jolly, hopping, extremely insipid effect. The three instruments do
not quite keep time with one another, producing a sort of queer
detachment, a vacant space, as it were, between them and the sounds
which they produce.


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So sang the jolly mariners on the good ship Pinafore, and so might have

sung the members of the Chicago and All-American base-ball teams as they
sailed out through the Golden Gate and into the blue waters of the
Pacific on the afternoon of November 18, 1888
So sang the jolly mariners on the good ship Pinafore, and so might have
sung the members of the Chicago and All-American base-ball teams as they
sailed out through the Golden Gate and into the blue waters of the
Pacific on the afternoon of November 18, 1888. Only at that time we were
not in the least sure as to whether the Alameda was a beauty or not,
pleasant as she looked to the eye, and we had a very reasonable doubt in
our minds as to whether we were sailors 'good and true.' There was a
long ocean voyage before us, and the few of us that were inclined to
sing refrained from doing so lest it might be thought that, like the boy
in the wood, we were making a great noise in order to keep our courage
up. We were one day late in leaving San Francisco, it having been
originally planned to leave here on Saturday, November 17th, and this
delay of one day served to cut short our visit at Honolulu. The morning
of our departure had dawned gray and sullen and rainy, but toward noon
the clouds broke away and by two o"clock in the afternoon, the hour set
for our departure, the day had become a fairly pleasant one.


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Early in the morning of December 2d it began blowing hard and by the

time the noon hour had arrived the steamer was rolling about like a
bass-wood log in a mountain torrent
Early in the morning of December 2d it began blowing hard and by the
time the noon hour had arrived the steamer was rolling about like a
bass-wood log in a mountain torrent. There were some familiar faces
missing from the tables at meal time that day and the stewards who
waited upon those whose stomachs were still in eating order worked under
difficulties, it being always a question of where they would bring up
when they entered the cabin door. All that day:


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They went along, and presently got round the precipice out of sight of

I he boys again
They went along, and presently got round the precipice out of sight of
I he boys again. They walked slowly until their parents overtook them.


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Conspicuous among the absentees when the season opened was the Chicago

Club, which had been broken up by the great fire that swept over the
Queen of the Inland Seas in October of 1871, and not then reorganized;
the Forest City of Rockford, the Kekiongas of Fort Wayne, and several
others
Conspicuous among the absentees when the season opened was the Chicago
Club, which had been broken up by the great fire that swept over the
Queen of the Inland Seas in October of 1871, and not then reorganized;
the Forest City of Rockford, the Kekiongas of Fort Wayne, and several
others.


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In the days of the five-act dogma, each act was supposed to have its

special and pre-ordained function
In the days of the five-act dogma, each act was supposed to have its
special and pre-ordained function. Freytag assigns to the second act, as
a rule, the _Steigerung_ or heightening--the working-up, one might call
it--of the interest. But the second act, in modern plays, has often to
do all the work of the three middle acts under the older dispensation;
wherefore the theory of their special functions has more of a historical
than of a practical interest. For our present purposes, we may treat the
interior section of a play as a unit, whether it consist of one, two, or
three acts.


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What does all this matter anyway, Vassya? It"s of no account, mere

trifles
What does all this matter anyway, Vassya? It"s of no account, mere
trifles. To-day they are going to sing: 'Christ is arisen from the
dead. Death has conquered death.' Do you understand? 'Death has
conquered death.'


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However, for all the gloom of his works, Andreyev is not a pessimist

However, for all the gloom of his works, Andreyev is not a pessimist.
Under one of his pictures he has written: 'Though it destroys
individuals, the truth saves mankind.' The misery in the world may be
ever so great; the problems that force themselves upon man"s mind may
seem unanswerable; the happenings in the external world may fill his
soul with utter darkness, so that he despairs of finding any meaning,
any justification in life. And yet, though his reason deny it, his
soul tells him: 'The truth saves mankind.' After all, _Man_ is not a
failure. For though misfortunes crowd upon him, he remains intact in
soul, unbroken in spirit. He carries off the victory because he does
not surrender. He dies as a superman, big in his defiance of destiny.
This must be the meaning Andreyev attached to _Man"s_ life. We find
an interpretation of it, as it were, in 'Anathema,' in which _Someone_
sums up the fate of _David_--who lived an even sadder life than _Man_
and died a more horrible death--in these words: 'David has achieved
immortality, and he _lives immortal_ in the deathlessness of fire.
David has achieved immortality, and he _lives immortal_ in the
deathlessness of light which is life.'


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What are they pushing and jostling for anyhow? He"ll be carried in the

procession and they can all see Him
What are they pushing and jostling for anyhow? He"ll be carried in the
procession and they can all see Him.


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"Marjory!" With a pitiful joy he felt her hair and face with his hand,

and in his weakness he almost fell
"Marjory!" With a pitiful joy he felt her hair and face with his hand,
and in his weakness he almost fell. Vainly he protested that she must
go away, that he could not let her share his tragedy. Her only answer
was his name murmured over and over again.


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Out on thee, Fortune! thou hast foiled the hope

And power of Persia: to this bitter end
My son went forth to wreak his great revenge
On famous Athens! all too few they seemed,
Our men who died upon the Fennel-field!
Vengeance for them my son had mind to take,
And drew on his own head these whelming woes
Out on thee, Fortune! thou hast foiled the hope
And power of Persia: to this bitter end
My son went forth to wreak his great revenge
On famous Athens! all too few they seemed,
Our men who died upon the Fennel-field!
Vengeance for them my son had mind to take,
And drew on his own head these whelming woes.
But thou, say on! the ships that "scaped from wreck--
Where didst thou leave them? make thy story clear.


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I am sorry for you now too

I am sorry for you now too. _(With tears)_ Savva, darling, you are my
brother. I have rocked your cradle. My dear angel, what idea is this
you have got into your mind? Why, it"s terrible--it"s madness. I
understand how hard it must be for you to see how people live, and so
you have resolved on a desperate deed. You have always been good and
kind, and so I can understand you. Don"t you think it"s hard for me to
see this life? Don"t you think I suffer myself? Give me your hand.


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That the Chesse moralisede clepede is,

In whiche I purpose eke to labour ywis
And here and there, as that my litelle witte
Afforthe may, I thynke translate it
That the Chesse moralisede clepede is,
In whiche I purpose eke to labour ywis
And here and there, as that my litelle witte
Afforthe may, I thynke translate it.


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These four players were promptly expelled for selling games by the

Louisville Club, whose action was later ratified by the League, and
though they made application time after time in later years to be
reinstated, their applications were denied and they passed out of sight
and out of hearing as far as the base-ball world was concerned
These four players were promptly expelled for selling games by the
Louisville Club, whose action was later ratified by the League, and
though they made application time after time in later years to be
reinstated, their applications were denied and they passed out of sight
and out of hearing as far as the base-ball world was concerned.


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I am inclined to think that the old gentleman is mistaken in the

substitution of a 'Bounding Rock' for a 'Ryan Dead Ball' in that game,
although I do remember that the stitching was different from anything
that we had ever seen before, and it may be that we were fooled as he
has stated
I am inclined to think that the old gentleman is mistaken in the
substitution of a 'Bounding Rock' for a 'Ryan Dead Ball' in that game,
although I do remember that the stitching was different from anything
that we had ever seen before, and it may be that we were fooled as he
has stated. If so the trick was certainly a clever one.


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During the entire season and not counting exhibition games we played

forty-six games, of which we won thirty and lost sixteen, while the
Bostons, who carried off the championship, took part in fifty-nine
games, of which they won 38 and lost 11
During the entire season and not counting exhibition games we played
forty-six games, of which we won thirty and lost sixteen, while the
Bostons, who carried off the championship, took part in fifty-nine
games, of which they won 38 and lost 11.


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Often, when an idea has gained a powerful hold on Andreyev, he pursues

it a long time, presenting it under various aspects, until at last
it assumes its final form, rounded and completed, as it were, in some
figure or symbol
Often, when an idea has gained a powerful hold on Andreyev, he pursues
it a long time, presenting it under various aspects, until at last
it assumes its final form, rounded and completed, as it were, in some
figure or symbol. As such it appears either as the leading theme of an
entire story or drama, or as an important subordinate theme. Thus
we have seen that the idea of death finds concrete expression in the
character of Lazarus. The idea of loneliness, of the isolation of the
individual from all other human beings, even though he be physically
surrounded by large numbers, is embodied in the story of 'The City.'
Similarly the conception of the mystery and the indifference by which
man finds himself confronted is definitely set forth in the figure of
_Someone in Gray_ in 'The Life of Man.'


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"No, it wasn"t," she replied vehemently

"No, it wasn"t," she replied vehemently. "I hated you for thinking
English women would not aid their men to fight, and I wanted never to see
you again. But do you remember when I said that the glory of war was in
women"s blood? There was a certain amount of truth in it at the
beginning; for when I first saw the wounded arrive I was madly excited.
I wanted to shout and cheer. But as the months have gone on, and I have
seen our soldiers maimed and bleeding and suffering, while thousands of
their women at home have simply broken loose and lost all sense of
decency or self-respect--oh, what"s the use?"


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[Footnote 6: 'Dramatic' has recently become one of the most overworked

words in the vocabulary of journalism
[Footnote 6: 'Dramatic' has recently become one of the most overworked
words in the vocabulary of journalism. It constantly appears, not only
in the text of the picturesque reporter, but in head-lines and on
bulletin-boards. When, on July 20, 1911, Mr. Asquith wrote to Mr.
Balfour to inform him that the King had guaranteed the creation of
peers, should it prove necessary for the passing of the Parliament Bill,
one paper published the news under this head-line: 'DRAMATIC ANNOUNCEMENT
BY THE PRIME MINISTER,' and the parliamentary correspondent of another
paper wrote: 'With dramatic suddenness and swiftness, the Prime Minister
hurled his thunderbolt at the wavering Tory party yesterday.' As a
matter of fact, the letter was probably not 'hurled' more suddenly or
swiftly than the most ordinary invitation to dinner: nor can its
contents have been particularly surprising to any one. It was probably
the conclusiveness, the finality, of the announcement that struck these
writers as 'dramatic.' The letter put an end to all dubiety with a
'short, sharp shock.' It was, in fact, crisp. As a rule, however,
'dramatic' is employed by the modern journalist simply as a rather
pretentious synonym for the still more hackneyed 'startling.']


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[Footnote 2: Mr

[Footnote 2: Mr. Blades enumerates only ten, but between the publication
of his work in 1863 and the appearance in 1880 of a more popular one, an
eleventh copy turned up. It is described further on. As both editions of
Mr. Blades" book are frequently cited, it may be stated here that where
the reference is to the page only, the one volume edition of 1880
is meant.]


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That three of the clubs that started in the race should have dropped out

as they did is not to be wondered at, and why one of them at least was
ever allowed to enter is a mystery
That three of the clubs that started in the race should have dropped out
as they did is not to be wondered at, and why one of them at least was
ever allowed to enter is a mystery. Looked at from a purely geographical
standpoint, the Keokuk Club, known as the Western, was doomed to failure
from the very start. It was too far away from the center of the base-ball
interests and the expense of reaching it too great to warrant the
Eastern clubs in making the trip, and the city itself was too small to
turn out a paying crowd, while the other two local clubs found the field
already too well covered and succumbed to local opposition.


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The boys were playing good ball at this stage of the game and our

chances for the pennant had a decidedly rosy look
The boys were playing good ball at this stage of the game and our
chances for the pennant had a decidedly rosy look. During the month of
July we climbed steadily toward the top of the ladder, and at the end of
that month we were in second place, and within striking distance of
Detroit, that team being still the leader, while Boston had fallen back
to the third and New York to fourth place. These positions were
maintained until the last week of August, when the Chicago and Detroit
teams were tied in the matter of games won. At this time it was still
anybody"s race so far as the two leaders were concerned.


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The girl"s eyes had narrowed, and were no longer sparkling, but

steady--almost to the point of dullness; her lower lip was full, and
too scarlet for the upper one, which chided its sister for the wanton
admission of slumbering passion; and her voice was abrupt
The girl"s eyes had narrowed, and were no longer sparkling, but
steady--almost to the point of dullness; her lower lip was full, and
too scarlet for the upper one, which chided its sister for the wanton
admission of slumbering passion; and her voice was abrupt. He almost
cried out "_Legato, legato_," to coax back the lilt which had caressed
his ear a moment before.


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"Then you must come again and see us sometime, Mr

"Then you must come again and see us sometime, Mr. Selwyn," she said,
with that vagueness of date used by polite persons when they don"t mean a
thing. Lady Durwent rose with great dignity. "Will you excuse me, Mr.
Selwyn? I always meet my housekeeper at ten to discuss domestic matters.
Elise is somewhere around. Is it too damp for tennis?"


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O you people! You are looking at me as at a monstrosity--at my hair,

my chains--because I killed my son and because I am like King Herod;
but my soul you see not, and my grief you know not
O you people! You are looking at me as at a monstrosity--at my hair,
my chains--because I killed my son and because I am like King Herod;
but my soul you see not, and my grief you know not. You are as blind
as earthworms. You wouldn"t know if you were struck with a beam on the
head. Say, you pot-belly, what are you shaking your paunch, for?


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It was Decoration Day, and therefore a holiday, and it seemed to me as

if all Boston had determined to be present on that occasion
It was Decoration Day, and therefore a holiday, and it seemed to me as
if all Boston had determined to be present on that occasion. By hundreds
and thousands they kept coming, and finally it was found necessary to
close the gates in order to keep room enough in the grounds to play the
game on. With the gates closed the crowd began to swarm over the fences,
and the special policemen employed there had their hands more than full
of trouble.


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She looked up into his face, and something of the mystic blue of the

skies lay in the depths of her eyes
She looked up into his face, and something of the mystic blue of the
skies lay in the depths of her eyes.


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A few minutes later she joined him on the lawn

A few minutes later she joined him on the lawn. They had just reached
the road which led to the porter"s lodge, when, without a word of
warning, she grasped his hand, and, half-running, half-dancing, pulled
him forward at a rapid pace. With a laugh he joined in her mood, and,
running side by side, they sped along the drive, while startled rabbits
leaped across their path, and melancholy owls hooted disapprobation. As
if the fumes of madness had mounted even to the skies, dark flecks of
cloud raced headlong across the starry heavens.


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What are you staring at with your mouth wide open? You are a

philosopher
What are you staring at with your mouth wide open? You are a
philosopher. You, you are a philosopher. Can you understand the
stupidity of these people? They think it"s a miracle. _(Laughs)_ They
think it"s a miracle.


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H

H. Stackton Dunckley had held the resolutionist in a duel of
language--a combat with broadswords--and honours were fairly even. The
short-sleeved Johnston Smyth had waged futurist warfare against the
modernist Pyford, while the Honourable Miss Durwent sat helplessly
between them, with as little chance of asserting her rights as the
Dormouse at the Mad Hatter"s tea-party. The American had held his own
in badinage with the daughter of Italy on one side and his hostess on
the other, the latter, however, being too skilled in entertaining to do
more than murmur a few encouragements to the spontaneity that so
palpably existed.


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We were to spend some little time in Australia, and that we had fallen

among friends was evident at once from the reception that had been
accorded us
We were to spend some little time in Australia, and that we had fallen
among friends was evident at once from the reception that had been
accorded us. It was a relief to know that our voyage was at least over
for a time and to feel the solid land once more beneath our feet, though
we parted with Capt. Morse with regret, he having endeared himself to us
all by the uniform kindness and courtesy that he had shown our party on
the long ocean trip.


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Our drive to the Landsdown Road Grounds took us through many of the best

parts of the city, which is beautiful, and can boast of as many handsome
women as any place of its size in the world
Our drive to the Landsdown Road Grounds took us through many of the best
parts of the city, which is beautiful, and can boast of as many handsome
women as any place of its size in the world.


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'Thenne late euery man of what condycion he be that redyth or herith

this litel book redde take therby ensaumple to amend hym
'Thenne late euery man of what condycion he be that redyth or herith
this litel book redde take therby ensaumple to amend hym.


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For me it is a piece of wood

For me it is a piece of wood. For the people it is a sacred object.
That is why I want to destroy it. Imagine how they"ll open their
mouths and stare. Ah, brother, if you were not a coward, I would tell
you some things.


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'Another principle is to avoid having your desk and room encumbered with

things of little or no value, as stones you have picked up, and papers,
and sticks
'Another principle is to avoid having your desk and room encumbered with
things of little or no value, as stones you have picked up, and papers,
and sticks. The place to keep such things is in the barn or shed, not in
your private room.


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Robert Ferguson, shortstop and captain; Anson, left field; Start, first

base; Cassidy, right field; Remsen, center field; Hankinson, third base;
McClellan, second base; Frank Larkin, pitcher; Harbidge, catcher;
Hallman and Reis, substitutes
Robert Ferguson, shortstop and captain; Anson, left field; Start, first
base; Cassidy, right field; Remsen, center field; Hankinson, third base;
McClellan, second base; Frank Larkin, pitcher; Harbidge, catcher;
Hallman and Reis, substitutes.


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Ye aged Persians, truest of the true,

Coevals of the youth that once was mine,
What troubleth now our city? harken, how
It moans and beats the breast and rends the plain!
And I, beholding how my consort stood
Beside my tomb, was moved with awe, and took
The gift of her libation graciously
Ye aged Persians, truest of the true,
Coevals of the youth that once was mine,
What troubleth now our city? harken, how
It moans and beats the breast and rends the plain!
And I, beholding how my consort stood
Beside my tomb, was moved with awe, and took
The gift of her libation graciously.
But ye are weeping by my sepulchre,
And, shrilling forth a sad, evoking cry,
Summon me mournfully, _Arise, arise_.
No light thing is it, to come back from death,
For, in good sooth, the gods of nether gloom
Are quick to seize but late and loth to free!
Yet among them I dwell as one in power--
And lo, I come! now speak, and speed your words,
Lest I be blamed for tarrying overlong!
What new disaster broods o"er Persia"s realm?


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Dazed by the swiftness of it all, Selwyn leaned against the low iron

fence
Dazed by the swiftness of it all, Selwyn leaned against the low iron
fence. A Boy Scout whirled past on a bicycle, his bugle hoarse and
discordant; an old woman went whimpering by, hatless, with a protesting
child in her arms; an ambulance, clanging its gong, rounded the corner
with reckless speed; a mightier searchlight than any of the rest swept
the sky in great circles.


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Here I am praying, you see

Here I am praying, you see. I"ve bent my old knees. I"ve prostrated
myself in the dust before you. I"m kissing the ground, do you see?
Maybe I have sometimes offended you. If so, forgive me, forgive me. It
is true, I was haughty, arrogant. I demanded and did not beg. Often I
condemned--forgive me. And if you wish, if this be your will, punish
me, but spare my son. Spare him, I beg you. Not for mercy, not for
pity do I pray you. I pray for justice. You are old, and I am old too.
You will understand more easily than I. Bad people wanted to kill
him, people who insult you by their deeds and defile your earth--bad,
heartless people, who throw stones from behind corners. From
behind corners, the scoundrels! Do not then, I pray you, permit the
fulfilment of this evil deed. Stay the blood, give back the life--give
back the life to my noble son! You took everything away from me, but
did I ever ask you like a beggar: 'Give me back my wealth, give me
back my friends, give me back my talent'? No, never. I did not even
ask you for my talent, and you know what his talent means to a man.
It is more than life. I thought perhaps that"s the way it ought to be,
and I bore everything, bore everything with pride. But now I ask
you on my knees, in the dust, kissing the earth: 'Give back my son"s
life.' I kiss your earth!


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No copy of this edition has been sold for years; in 1813, Alchorne"s

copy, wanting first two leaves, the last two leaves and two leaves in
the second chapter of the fourth tractate, fetched at Evans", L54
No copy of this edition has been sold for years; in 1813, Alchorne"s
copy, wanting first two leaves, the last two leaves and two leaves in
the second chapter of the fourth tractate, fetched at Evans", L54.
12_s_. The value of this class of books has much risen since then, and
may now be considered, as ten times greater.


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For the first time since his escape Dick Durwent regretted it

For the first time since his escape Dick Durwent regretted it. He could
see no safety ahead for Mathews, no matter how long they evaded arrest.
Although a cool, fretful wind was blowing over the fields, the warm noon
sun made his eyelids heavy.


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Let those who hold our city"s sway

Wreak, or forbear to wreak, their will
On those who cry, _Ah, well-a-day_!
Lamenting Polynices still!
We will go forth and, side by side
With her, due burial will provide!
Royal he was; to him be paid
Our grief, wherever he be laid!
The crowd may sway, and change, and still
Take its caprice for Justice" will!
But we this dead Eteocles,
As Justice wills and Right decrees,
Will bear unto his grave!
For--under those enthroned on high
And Zeus" eternal royalty--
He unto us salvation gave!
He saved us from a foreign yoke,--
A wild assault of outland folk,
A savage, alien wave!
[_Exeunt_
Let those who hold our city"s sway
Wreak, or forbear to wreak, their will
On those who cry, _Ah, well-a-day_!
Lamenting Polynices still!
We will go forth and, side by side
With her, due burial will provide!
Royal he was; to him be paid
Our grief, wherever he be laid!
The crowd may sway, and change, and still
Take its caprice for Justice" will!
But we this dead Eteocles,
As Justice wills and Right decrees,
Will bear unto his grave!
For--under those enthroned on high
And Zeus" eternal royalty--
He unto us salvation gave!
He saved us from a foreign yoke,--
A wild assault of outland folk,
A savage, alien wave!
[_Exeunt_.


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Considerably disgusted at the ending to the incident, Selwyn, who had

turned to look towards the _cabinet particulier_, once more sought his
companion"s eyes
Considerably disgusted at the ending to the incident, Selwyn, who had
turned to look towards the _cabinet particulier_, once more sought his
companion"s eyes.


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"Lady Durwent," said Austin Selwyn--and the quality of his voice was

lighter and more musical than it had been--"I suppose that a man who
deliberately goes to a country to gather impressions lays himself open
to the danger of being influenced by external things only
"Lady Durwent," said Austin Selwyn--and the quality of his voice was
lighter and more musical than it had been--"I suppose that a man who
deliberately goes to a country to gather impressions lays himself open
to the danger of being influenced by external things only. If I were
to base my knowledge of England on what her people say of her, I think
I should be justified in assuming that the century-old charge of her
decadence is terribly true. Yet I claim to have something of an
artist"s sensitiveness to undercurrents, and it seems to me that there
is a strong instinct of race over here--perhaps I express myself
clumsily--but I think there is an England which has far more depth to
it than your artists and writers realise. For some reason you all seem
to want to deny that; and when, as to-night, it is my privilege to meet
some of this country"s expressionists, it appears that none has any
intention of trying to reveal what is fine in your life as a
people--you seek only to satirise, caricature, or damn altogether. If
I believe my ears, there is nothing but stupidity and insularity in
England. If I listen to my senses, to my subconscious mind, I feel
that a great crisis would reveal that she is still the bed-rock of
civilisation."


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It was such a moment for Elise Durwent as she stood in the doorway, the

overhanging arc touching her hair and shoulders with the high lights of
some master"s painting
It was such a moment for Elise Durwent as she stood in the doorway, the
overhanging arc touching her hair and shoulders with the high lights of
some master"s painting. Conversation ceased, and in every face there
was the universal homage paid to beauty, even though it be tendered
grudgingly.


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King Kalakuau had set up a great portion of the night awaiting our

coming, and so disappointed was he when we failed to put in an
appearance that he accumulated an uncomfortable load, and this he was
engaged in sleeping off when he was awakened by his courtiers and
informed of our arrival
King Kalakuau had set up a great portion of the night awaiting our
coming, and so disappointed was he when we failed to put in an
appearance that he accumulated an uncomfortable load, and this he was
engaged in sleeping off when he was awakened by his courtiers and
informed of our arrival.


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Larry Corcoran, upon whose skill great reliance was placed, was at that

time in the zenith of his glory as a twirler
Larry Corcoran, upon whose skill great reliance was placed, was at that
time in the zenith of his glory as a twirler. He came, if my memory
serves me rightly, from somewhere in the neighborhood of Buffalo. He was
a very little fellow, with an unusual amount of speed, and the endurance
of an Indian pony. As a batter he was only fair, but as a fielder in his
position he was remarkable, being as quick as a cat and as plucky as
they made them.


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[Footnote 11: It is perhaps worth nothing that Gabriele d"Annunzio in

_La Gioconda_, reverts to, and outdoes, the French classic convention,
by giving us three actors and four confidants
[Footnote 11: It is perhaps worth nothing that Gabriele d"Annunzio in
_La Gioconda_, reverts to, and outdoes, the French classic convention,
by giving us three actors and four confidants. The play consists of a
crisis in three lives, passively, though sympathetically, contemplated
by what is in effect a Chorus of two men and two women. It would be
interesting to inquire why, in this particular play, such an abuse of
the confidant seems quite admissible, if not conspicuously right.]


computerequipment

Ah, switched around to the subject of love after all--just like a

woman! I hardly know what to say
Ah, switched around to the subject of love after all--just like a
woman! I hardly know what to say. I did love a girl, in a way, but she
didn"t stick it out.


bestwesternhoteleurekacal.blogspot

_[The Wife goes out

_[The Wife goes out. Man, with a friendly look to the corner where
Someone in Gray stands, picks up the toy clown, plays with it, and
gives its red nose a quick kiss. At that instant his Wife enters and
Man speaks shamefacedly._


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With something like intoxication in his blood, he followed his

imperious, high-spirited companion from the house
With something like intoxication in his blood, he followed his
imperious, high-spirited companion from the house. He hurried forward
to help her to mount, but she had her foot in the stirrup and had swung
herself into the saddle before he could reach her side. With less
ease, but with creditable horse-management, Selwyn mounted the chestnut
and drew alongside the bay, who was cavorting airily, as if to taunt
the larger horse with the superior charm of the creature that bestrode
him.


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Many hands make quick work, and it was not long before I had a little

army of boys at work demolishing that wood pile
Many hands make quick work, and it was not long before I had a little
army of boys at work demolishing that wood pile. The chunks that were
too big and hard to split we placed on the bottom, then placed the split
wood over them. The task was accomplished long before the old
gentleman"s return, and when on the night of his arrival I took him out
and showed him that such was the case he looked a bit astonished. He
handed over the watch, though, and for some days afterwards as I
strutted about town with it in my pocket I fancied it was as big as the
town clock and wondered that everybody that I met in my travels did not
stop to ask me the time of day.


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Considerably disgusted at the ending to the incident, Selwyn, who had

turned to look towards the _cabinet particulier_, once more sought his
companion"s eyes
Considerably disgusted at the ending to the incident, Selwyn, who had
turned to look towards the _cabinet particulier_, once more sought his
companion"s eyes.


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So Rollo applied his switch, and the horse trotted on fast

So Rollo applied his switch, and the horse trotted on fast. Rollo had
hard work to hold on, but he clasped his arm tight around Jonas"s waist,
and succeeded in keeping his seat.


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As he helped the girls to alight Selwyn heard the nurse catch her

breath with a spasm of pain
As he helped the girls to alight Selwyn heard the nurse catch her
breath with a spasm of pain. He glanced over his shoulder and saw a
man standing on the lawn facing the sun, which was reaching the west
with the passing of afternoon.


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Nay, but the source of sway, the city"s self, art thou,

A power unjudged! thine, only thine,
To rule the right of hearth and shrine!
Before thy throne and sceptre all men bow!
Thou, in all causes lord, beware the curse divine!


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He tried it for about half of an inning, then threw it down, declaring

it was no good, and went on in the old way
He tried it for about half of an inning, then threw it down, declaring
it was no good, and went on in the old way. After his playing days in
Chicago were over he went into the saloon business and died a short time
afterwards of consumption. His wife died in California a little time
after him with the same disease, which she had contracted while nursing
him. Prior to her departure from Chicago and when she had been informed
by a physician that her days were numbered, she sent for me, and after
telling me that she had 'roasted' me in the papers all her life, begged
my forgiveness, saying that she had found out her mistake. This, of
course, was granted.


smalltravelshoulderbag.blogspot

"Just one more Cambridge thought

"Just one more Cambridge thought. (This letter has as many false
endings as one of your sermons.) There were quite a number of native
students from India in attendance, and I noticed that these men, many
of them striking-looking fellows, were left pretty much to themselves.
The English answer when spoken to, and offer that well-bred tolerance
exerted by them so easily, but the Indian student must feel that he is
not admitted on a footing of equality. I"m not certain that the dark
races can be admitted as equals; but what effect on India will it have
if these fellows are educated, then sent back with resentment
fermenting their knowledge into sedition? It may be another case where
the Englishman is instinctively right in his racial psychology; or,
again, it may be a further example of his dislike to look facts
squarely in the face.


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After that imperialistic pronouncement, Lord Durwent turned to more

congenial topics, and spoke of additions to the stables and
improvements to the church
After that imperialistic pronouncement, Lord Durwent turned to more
congenial topics, and spoke of additions to the stables and
improvements to the church. His wife answered mechanically, and it was
many minutes before the heart-hunger for the blue-eyed Dick was lulled.
She said nothing, for the development of her sons" lives had long since
passed from her to a system, but in the seclusion of their country home
the domestic tragedy made a deeper inroad on her feelings than it had
done in London.


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In the near corner, which is darker than the rest, Someone in Gray

called He stands motionless
In the near corner, which is darker than the rest, Someone in Gray
called He stands motionless. The candle in his hand is reduced
two-thirds and burns with a strong, yellow light, casting a yellow
sheen on His stony face and chin._


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For years Austin Selwyn had stood apart, mingling with those who were

enduring the sword-thrusts of fate, as an author chats with the players
on the stage between the acts
For years Austin Selwyn had stood apart, mingling with those who were
enduring the sword-thrusts of fate, as an author chats with the players
on the stage between the acts. Even the great tragedy of war had
served only to enrich the processes of his mind. It is true he had
known compassion, sorrow, and anger through it, but they were only
counterfeit emotions, born of the grip of war on his imagination.


proaudiobargains.blogspot

This Association was organized at Pittsburg in September, 1883, and was

launched with a great flourish of trumpets, the cities agreed upon for
the circuit being Washington, St
This Association was organized at Pittsburg in September, 1883, and was
launched with a great flourish of trumpets, the cities agreed upon for
the circuit being Washington, St. Louis, Altoona, Pa., Boston,
Baltimore, Cincinnati, Philadelphia and Chicago.


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(I)ch bruder Jacob vo(n) Cassalis prediger ordens bin vberwunden worden

von der brueder gebet
(I)ch bruder Jacob vo(n) Cassalis prediger ordens bin vberwunden worden
von der brueder gebet ... (Ends.) Hie endet sich das Buch menschlicher
sitten vnd der ampt der edlen. Gedruckt zu Augsburg in der
Kayserliche(n)stat anno dni MCCCC LXXX IIJ. am osterabe(n)t geent.
Folio. 36 leaves.


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She now hath learned, unto its utmost end,

Her pilgrimage; but yet, that she may know
That "tis no futile fable she hath heard,
I will recount her history of toil
Ere she came hither; let it stand for proof
Of what I told, my forecast of the end
She now hath learned, unto its utmost end,
Her pilgrimage; but yet, that she may know
That "tis no futile fable she hath heard,
I will recount her history of toil
Ere she came hither; let it stand for proof
Of what I told, my forecast of the end.
So, then--to sum in brief the weary tale--
I turn me to thine earlier exile"s close.
When to Molossia"s lowland thou hadst come,
Nigh to Dodona"s cliff and ridge sublime,
(Where is the shrine oracular and seat
Of Zeus, Thesprotian styled, and that strange thing
And marvel past belief, the prophet-oaks
That syllable his speech), thou by their tongues,
With clear acclaim and unequivocal,
Wert thus saluted--_Hail, O bride of Zeus
That art to be_--hast memory thereof?
Thence, stung anew with frenzy, thou didst hie
Along the shoreward track, to Rhea"s lap,
The mighty main; then, stormily distraught,
Backward again and eastward. To all time,
Be well assured, that inlet of the sea
All mortal men shall call Ionian,
In memory that Io fared thereby.
Take this for proof and witness that my mind
Hath more in ken than ever sense hath shown.
(_To the_ CHORUS)
That which remains, to you and her alike
I will relate, and, to my former words
Reverting, add this final prophecy.
(_To_ Io)
There lieth, at the verge of land and sea,
Where Nilus issues thro" the silted sand,
A town, Canopus called: and there at length
Shall Zeus renew the reason in thy brain
With the mere touch and contact of his hand
Fraught now with fear no more: and thou shalt bear
A child, dark Epaphus--his very name
Memorial of Zeus" touch that gave him life.
And his shall be the foison and the fruit
Of all the land enriched by spreading Nile.
Thence the fifth generation of his seed
Back unto Argos, yet unwillingly,
Shall flee for refuge--fifty maidens they,
Loathing a wedlock with their next in blood,
More kin than kind, from their sire"s brother sprung.
And on their track, astir with wild desire,
Like falcons fierce closing on doves that flee,
Shall speed the suitors, craving to achieve
A prey forbidden, a reluctant bride.
Yet power divine shall foil them, and forbid
Possession of the maids, whom Argive land
Shall hold protected, when unsleeping hate,
Horror, and watchful ambush of the night,
Have laid the suitors dead, by female hands.
For every maid shall smite a man to death,
Dyeing a dagger"s edges in his throat--
Such bed of love befall mine enemies!
Yet in one bride shall yearning conquer hate,
Bidding her spare the bridegroom at her side,
Blunting the keen edge of her set resolve.
Thus of two scorns the former shall she choose,
The name of coward, not of murderess.
In Argos shall she bear, in after time,
A royal offspring. Long it were to tell
In clear succession all that thence shall be.
Take this for sooth--in lineage from her
A hero shall arise, an archer great,
And he shall be my saviour from these woes.
Such knowledge of the future Themis gave,
The ancient Titaness, to me her son.
But how, and by what skill, "twere long to say,
And no whit will the knowledge profit thee.


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Don"t worry about wealth

Don"t worry about wealth. Just wait until our son begins to work.
He"ll restore all we"ve lost. I feel well again, wife, and I firmly
believe in our future. Do you remember our poor little rosy room? The
good neighbors scattered oak leaves in it, and you made a wreath of
them and put it on my head and said I was a genius.


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With a frown the nobleman looked up as he reached the end of the

ultimatum, in which one nation, for its pride, demanded that another
should hand over its honour, debased and shackled
With a frown the nobleman looked up as he reached the end of the
ultimatum, in which one nation, for its pride, demanded that another
should hand over its honour, debased and shackled.


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There is nothing absolutely new in this theory

There is nothing absolutely new in this theory.[7] 'The irony of fate'
has long been recognized as one of the main elements of dramatic effect.
It has been especially dwelt upon in relation to Greek tragedy, of which
the themes were all known in advance even to 'first-day' audiences. We
should take but little interest in seeing the purple carpet spread for
Agamemnon"s triumphal entry into his ancestral halls, if it were not for
our foreknowledge of the net and the axe prepared for him. But, familiar
as is this principle, I am not aware that it has hitherto been extended,
as I suggest that it should be, to cover the whole field of dramatic
interest. I suggest that the theorists have hitherto dwelt far too much
on curiosity[8]--which may be defined as the interest of ignorance--and
far too little on the feeling of superiority, of clairvoyance, with
which we contemplate a foreknown action, whether of a comic or of a
tragic cast. Of course the action must be, essentially if not in every
detail, true to nature. We can derive no sense of superiority from our
foreknowledge of an arbitrary or preposterous action; and that, I take
it, is the reason why a good many plays have an initial success of
curiosity, but cease to attract when their plot becomes familiar. Again,
we take no pleasure in foreknowing the fate of wholly uninteresting
people; which is as much as to say that character is indispensable to
enduring interest in drama. With these provisos, I suggest a
reconstruction of our theories of dramatic interest, in which mere
first-night curiosity shall be relegated to the subordinate place which
by right belongs to it.


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'So we can,' said both of the boys; and they immediately went to work

collecting branches and weaving them in, leaving a space for a window
both sides
'So we can,' said both of the boys; and they immediately went to work
collecting branches and weaving them in, leaving a space for a window
both sides. Their quarrelsome feelings were all gone, and they talked
very pleasantly at their work until it was time for them to go home to
dinner.


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1874

1874. Boston, Spalding, pitcher; McVey, catcher; White, Barnes and
Schafer on the bases; George Wright, shortstop; Leonard, Hall and Jas.
O"Rourke in the outfield; and Harry Wright and Beal, substitutes.


faviconcheapestflight

In the Greek theatre, as every one knows, the _peripeteia_ or reversal

of fortune--the turning of the tables, as we might say--was a
clearly-defined and recognized portion of the dramatic organism
In the Greek theatre, as every one knows, the _peripeteia_ or reversal
of fortune--the turning of the tables, as we might say--was a
clearly-defined and recognized portion of the dramatic organism. It was
often associated with the _anagnorisis_ or recognition. Mr. Gilbert
Murray has recently shown cause for believing that both these dramatic
'forms' descended from the ritual in which Greek drama took its
origin--the ritual celebrating the death and resurrection of the season
of 'mellow fruitfulness.' If this theory be true, the _peripeteia_ was
at first a change from sorrow to joy--joy in the rebirth of the
beneficent powers of nature. And to this day a sudden change from gloom
to exhilaration is a popular and effective incident--as when, at the end
of a melodrama, the handcuffs are transferred from the wrists of the
virtuous naval lieutenant to those of the wicked baronet, and, through
the disclosure of a strawberry-mark on his left arm, the lieutenant is
recognized as the long-lost heir to a dukedom and L50,000 a year.


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That the Chicago Club again won the pennant in 1881 was due to two

reasons
That the Chicago Club again won the pennant in 1881 was due to two
reasons. First, its strength as a batting organization, and in this
respect it was undoubtedly the superior of all its rivals, and,
secondly, the superb team work, the entire team playing together as one
man and having but one object in view, and that the landing of the
championship. Record playing was entirely lost sight of by the members
of the club, and sacrifice hitting was indulged in whenever a point
could be made by so doing.


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In this case we have a peripety of external fortune

In this case we have a peripety of external fortune. For a
clearly-marked moral peripety we may turn to the great scene between
Vivie and her mother in the second act of _Mrs. Warren"s Profession._
Whatever may be thought of the matter of this scene, its movement is
excellent. After a short, sharp opening, which reveals to Mrs. Warren
the unfilial dispositions of her daughter, and reduces her to whimpering
dismay, the following little passage occurs:


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His pulses were throbbing with double fever: that of the world and his

own hot love for her
His pulses were throbbing with double fever: that of the world and his
own hot love for her. Yes, it was love. What a fool he had been ever to
doubt it! His last thoughts at night were of her; the last word
whispered was her name; the last picture shrouded by the approaching
mists of sleep was of her face. What was morning but a sunlit moment
that meant Elise? What was the day, what were the years, what was life,
but one great moment to be lived for Elise--Elise?


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The attempt was a vain one, however, although the race from the start to

the finish was a hot one, and one that kept the lovers of base-ball on
tenter hooks until the season was over, while the betting in the
poolrooms throughout the country was hot and heavy, and be it said right
here, to the credit of the ball players, there was not the slightest
suspicion or whisper of crookedness in connection with the games
The attempt was a vain one, however, although the race from the start to
the finish was a hot one, and one that kept the lovers of base-ball on
tenter hooks until the season was over, while the betting in the
poolrooms throughout the country was hot and heavy, and be it said right
here, to the credit of the ball players, there was not the slightest
suspicion or whisper of crookedness in connection with the games. The
rivalry was most intense, and as a result the crowds that greeted
the players everywhere were both large and enthusiastic, this
being especially the case on the home grounds, where, owing to our
long-continued success, we were naturally great favorites. The majority
of the clubs in the League that season made money and to all appearances
an era of prosperity, so far as the National Game was concerned, had
begun.


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When the whole of a given subject cannot be got within the limits of

presentation, is there any means of determining how much should be left
for retrospect, and at what point the curtain ought to be raised? The
principle would seem to be that slow and gradual processes, and
especially separate lines of causation, should be left outside the frame
of the picture, and that the curtain should be raised at the point where
separate lines have converged, and where the crisis begins to move
towards its solution with more or less rapidity and continuity
When the whole of a given subject cannot be got within the limits of
presentation, is there any means of determining how much should be left
for retrospect, and at what point the curtain ought to be raised? The
principle would seem to be that slow and gradual processes, and
especially separate lines of causation, should be left outside the frame
of the picture, and that the curtain should be raised at the point where
separate lines have converged, and where the crisis begins to move
towards its solution with more or less rapidity and continuity. The
ideas of rapidity and continuity may be conveniently summed up in the
hackneyed and often misapplied term, unity of action. Though the unities
of time and place are long ago exploded as binding principles--indeed,
they never had any authority in English drama--yet it is true that a
broken-backed action, whether in time or space, ought, so far as
possible, to be avoided. An action with a gap of twenty years in it may
be all very well in melodrama or romance, but scarcely in higher and
more serious types of drama.[4] Especially is it to be desired that
interest should be concentrated on one set of characters, and should not
be frittered away on subsidiary or preliminary personages. Take, for
instance, the case of _The Second Mrs. Tanqueray_. It would have been
theoretically possible for Sir Arthur Pinero to have given us either (or
both) of two preliminary scenes: he might have shown us the first Mrs.
Tanqueray at home, and at the same time have introduced us more at large
to the characters of Aubrey and Ellean; or he might have depicted for us
one of the previous associations of Paula Ray--might perhaps have let us
see her 'keeping house' with Hugh Ardale. But either of these openings
would have been disproportionate and superfluous. It would have excited,
or tried to excite, our interest in something that was not the real
theme of the play, and in characters which were to drop out before the
real theme--the Aubrey-Paula marriage--was reached. Therefore the
author, in all probability, never thought of beginning at either of
these points. He passed instinctively to the point at which the two
lines of causation converged, and from which the action could be carried
continuously forward by one set of characters. He knew that we could
learn in retrospect all that it was necessary for us to know of the
first Mrs. Tanqueray, and that to introduce her in the flesh would be
merely to lead the interest of the audience into a blind alley, and to
break the back of his action. Again, in _His House in Order_ it may seem
that the intrigue between Maurewarde and the immaculate Annabel, with
its tragic conclusion, would have made a stirring introductory act. But
to have presented such an act would have been to destroy the unity of
the play, which centres in the character of Nina. Annabel is 'another
story'; and to have told, or rather shown us, more of it than was
absolutely necessary, would have been to distract our attention from the
real theme of the play, while at the same time fatally curtailing the
all-too-brief time available for the working-out of that theme. There
are cases, no doubt, when verbal exposition may advantageously be
avoided by means of a dramatized 'Prologue'--a single act, constituting
a little drama in itself, and generally separated by a considerable
space of time from the action proper. But this method is scarcely to be
commended, except, as aforesaid, for purposes of melodrama and romance.
A 'Prologue' is for such plays as _The Prisoner of Zenda_ and _The Only
Way_, not for such plays as _His House in Order_.


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Rollo was beginning to get a little excited and vexed

Rollo was beginning to get a little excited and vexed. People who boast
of excellences which they do not possess, are very apt to be
unreasonable and angry when any body seems to doubt whether their
boastings are true. He was thus going on, insisting upon it that he
should have acted as Maria had done, and was just saying that he should
prefer another person"s pleasure rather than his own, when Jonas came
into the entry from the kitchen, with an armful of wood, which he was
carrying into the parlor.


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"Sherwood," whimpered the boy, "I can"t stand it--I"ve lost my

nerve
"Sherwood," whimpered the boy, "I can"t stand it--I"ve lost my
nerve. . . . That thing there--there. . . . It moves. It"s dead, and
it moves. . . . Look, it"s grinning at me now! I"m going back. I
can"t stay here--I can"t."


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From all this it is a simple deduction that where legend (historic or

otherwise) associates a particular character with a particular scene
that is by any means presentable on the stage, that scene becomes
obligatory in a drama of which he is the leading figure
From all this it is a simple deduction that where legend (historic or
otherwise) associates a particular character with a particular scene
that is by any means presentable on the stage, that scene becomes
obligatory in a drama of which he is the leading figure. The fact that
Shakespeare could write a play about King John, and say nothing about
Runnymede and Magna Charta, shows that that incident in constitutional
history had not yet passed into popular legend. When Sir Herbert Tree
revived the play, he repaired the poet"s omission by means of an
inserted tableau. Even Shakespeare had not the hardihood to let Caesar
fall without saying, 'The Ides of March are come' and 'Et tu, Brute!'
Nero is bound to fiddle while Rome burns, or the audience will know the
reason why.[4] Historic criticism will not hear of the 'Thou hast
conquered, Galilean!' which legend attributes to Julian the Apostate;
yet Ibsen not only makes him say it, but may almost be said to find in
the phrase the keynote of his world-historic drama. Tristram and Iseult
must drink a love-philtre or they are not Tristram and Iseult. It would
be the extreme of paradox to write a Paolo-and-Francesca play and omit
the scene of 'Quel giorno piu non vi leggemmo avante.'


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The harbor at Auckland is reached by means of a winding passage walled

in by hills of volcanic origin, and the bay itself is second only to
that of Sydney in beauty, the sides of the high hills that wall it in
being dotted here and there by pretty residences of white stone,
surrounded by broad porticos and handsomely arranged grounds
The harbor at Auckland is reached by means of a winding passage walled
in by hills of volcanic origin, and the bay itself is second only to
that of Sydney in beauty, the sides of the high hills that wall it in
being dotted here and there by pretty residences of white stone,
surrounded by broad porticos and handsomely arranged grounds. The town
was as quiet as a country funeral and this we marveled at until we were
informed that we had lost a day from our calendar and that instead of
being Saturday as we had thought, it was Sunday. Leigh Lynch, who had
been detained at Sydney, had sent his cousin, Will Lynch, to meet us and
as the steamer was made fast to the dock he came on board with a bouquet
of flowers for the different members of the party. Several newspaper
men, who followed him shortly afterward, expressed their regret that we
had not arrived the day before, as then we could have played to some
eight or ten thousand people. We had expected to remain in Auckland but
a few hours and were therefore agreeably surprised when Capt. Morse
informed us that the Alameda would remain there to coal until 5 o"clock
the next afternoon.


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