We need not follow the scene in the sentimental turning which it then

takes, whereby it comes about, of course, that Bernard, not Leopold,
marries Mile
We need not follow the scene in the sentimental turning which it then
takes, whereby it comes about, of course, that Bernard, not Leopold,
marries Mile. Letellier. The point is that Augier has justified Sarcey"s
confidence by making the scene thoroughly and specifically dramatic; in
other words, by charging it with emotion, and working up the tension to
a very high pitch. And Sarcey was no doubt right in holding that this
was what the whole audience instinctively expected, and that they would
have been more or less consciously disappointed had the author baulked
their expectation.